After 40 years of hard work, it is finally time for David Pintel to pass the torch.
By Davis Suppes| Bond LSC
David Pintel is hanging up his lab coat after 40 years.
“It’s been an honor to be able to do my work at the University of Missouri. I’ve had a great group of colleagues both here and at the medical school,” Pintel said.
The Bond LSC virologist retired July 1 after a storied career. He spent 20 years at the School of Medicine before joining Bond LSC upon its completion more than 15 years ago.
Since then he has aimed to better understand the interaction between viruses and host cells. Pintel specialized in the study of parvoviruses, the smallest of all DNA viruses that infect vertebrates. In addition, the parvovirus adeno-associated virus (AAV) has been developed as a promising gene therapy vehicle.
On his last official day in his office Pintel was busy still packing up old memories while taking everything in.
“I’ve had tremendous students and tremendous colleagues, you know they were the important parts of my career,” Pintel said, “Going through all the old memories, you know, it’s gonna take a little while”
Pintel is a Curators’ Distinguished Professor as well as a Dr. R. Phillip and Diane Acuff Endowed Professor in Medical Research Molecular Microbiology and Immunology. He reflected on fond memories of his work here, but when asked what his favorite memory was his answer was the same, working with all of these people.
“It’s an emotional end, when you do something every day of your life for 40 years,” Pintel said. “I’m so thankful and grateful for the people that have worked with me, people that have been my friends here and allowed me to have a successful career.”
The future for Pintel will come in due time, but for now he is in no hurry and plans to enjoy some time off.
“To be determined,” Pintel said, “I think I will decompress for a while before I make any decisions on the next step.”
The scene of the science fair wouldn’t be complete without the paper mâché volcano, the gymnasium full of colorful display boards set up across a floor and the voices of students each giving their own presentations to their parents.
For Janlo Robil — a Ph.D. candidate in plant development genetics who works in the Paula McSteen lab at Bond LSC — his excitement for science and creativity was born in this mix of dioramas, experiments and hypotheses.
That passion has led Robil to a place where his science and art can interact. While his experiments focus on how the plant hormone auxin affects growth, he uses his artistic skills to create figures and translate that science to his editors.
Robil started out as a freelance graphic artist in the Philippines where he’s from — creating logos and company designs. His inspiration comes from “natural things” and “creating shapes from what we already see as natural.”
“What’s nice about being a scientist and an artist is that I always look for art in everything I do in my science,” Robil said.
Using Adobe Illustrator as his medium, Robil translates the science he sees onto the screen. Recently, he submitted a piece entitled, “Auxin Motherboard” to the Kemper Museum of Contemporary Art in Kansas City in October 2019.
Even though Robil isn’t creating art now, he sees methods of art come up during his work in the lab.
“When I look at things in the microscope, I pay so much attention to detail that it slows me down,” Robil said. “The same is true when I am working in Adobe. I am very systematic about it. I feel like, in my head, I have an assembly line on how things are going to be done. I know a lot of artists are a lot like that. They are very organized, and they are very systematic…. Some of the technical stuff I bring to art, while I also bring some of my creative stuff to my science. So, there is a very good symbiotic relationship between the two.”
According to David Epstein, science journalist and author, scientists in general are no more likely to have artistic hobbies than the general public, but researchers at UCLA continue to be intrigued by the parallels and intersections of art and science.
“I see evidence of the interdependency of art and science every day. Just last week I had a wonderful conversation about a symposium on the physics of music,” said Pat Okker, the dean of the College of Arts and Science.
Carlos Rivera — a fourth-year graduate student who studies brain biology in Tucker Hall — is similar to Robil in his love for both art and science. In high school, one of Rivera’s drawings was chosen for the Missouri Fine Arts Academy.
“I always like to incorporate art into all the things I can do,” Rivera said. “I haven’t done it in a while, but when I first started off here at Mizzou I was taking pictures of brains, and in order to get good quality pictures you kind of have to know how things contrast against each other.”
Rivera would take pictures of fly brains, which required special instruments and precision. Now, Rivera is working on a mural of R2D2 shooting glial cells instead of lasers. A glial cell is a part of a neuron that provides support for the neuron, and scientists are still figuring out the intricacies of their function.
In order for scientists to make more discoveries, they need to tap into their artistic sides.
”Just in general, when you’re an artist you have to learn how to think creatively and a lot of scientists think that just comes with learning science, but you have to learn how to be creative sometimes,” said Katherine Guthrie, a graduate student working in the McSteen lab at Bond LSC. “So, when you have an art background, it’s a lot easier to think outside the box when you’re thinking about experiments or thinking about possible outcomes or planning for the future.”
Guthrie works with Robil in plant development genetics where they study how interrupting the auxin hormone pathway affects development. By understanding what it looks like when it’s broken, they can figure out how to make sure the pathway works best. On and off for the past 10 years, Guthrie has also been teaching art classes of every medium in school and studios.
”The reason I’ve always loved art is because most people feel like they can’t do it and when they find out they can, it’s like this glorious epiphany like, ‘Wow! This is cool. I just made that.’” Guthrie said. “The reason I like science is because you get that epiphany, and the reason I like art is because you get to share that often.”
When art and science get the opportunity to interact, those outside of the scientific community are given a bridge to see what’s so exciting.
“I’m now realizing the reason I am excited about science fairs is that it’s also an opportunity for me to show my creativity,” Robil said. “You see these kids making volcanoes like every time in the science fair, and I think one of the reasons why they’re so keen to make these things is that they can also show how creative they are and also show the scientific aspect of it. So, there are people who are really really technical, but then I think when you add creativity to the technicality of science, that’s when it gets really interesting for me.”